Welcome to Bebe Nod

i pull out thoughts deeply wedged in my cerebrum

(via letsbeflowerchildren)

(Source: amajor7, via pressedpetals)

(Source: neilnevins, via baribakhma)

frenchcinema:

Official Competition: "Captives" (Canada) dir. Atom Egoyan - 1h43m"Foxcatcher" (U.S.A.) dir. Bennett Miller - 2h10m"Goodbye To Language" (France) dir. Jean-Luc Godard - 1h10m"The Homesman" (U.S.A./France) dir. Tommy Lee Jones - 2h02m"Jimmy’s Hall" (U.K) dir. Ken Loach - 1h46m"Leviathan" (Russia) dir. Andrey Zvyagintsev - 2h20m"Maps To The Stars" (Canada) dir. David Cronenberg - "The Marvel" (Italy) dir. Alice Rohrwacher -1h50m"Mommy" (Canada) dir. Xavier Dolan - 2h20m"Mr. Turner" (U.K) dir. Mike Leigh - 2h29m"Saint Laurent" (France) dir. Bertrand Bonello — 2h15m"The Search" (France) dir. Michel Hazanavicius - 2h40m"Sils Maria" (France) dir. Olivier Assayas - 2h03m"Still The Water" (Japan) dir. Naomi Kawase - 1h50m"Timbuktu" dir. Abderrahmane Sissako - 1h40m"Two Days One Night" (Belgium) dir. Jean-Pierre & Luc Dardenne - 1h35m"Wild Tales" (Argentina) dir. Damian Szifron - 1h55m"Winter Sleep" (Turkey) dir. Nuri Bilge Ceylan - 3h16m
Opening Film: "Grace Of Monaco" (U.S.A./France) dir. Olivier Dahan - 1h43mOut Of Competition: "Coming Home" (China) dir. Zhang Yimou - 1h51m"How To Train Your Dragon 2" (U.S.A.) dir. Dean DeBlois - 1h45mUn Certain Regard: "Amour Fou" (dir. Jessica Hausner) - 1h36m"Bird People" (dir. Pascale Ferran) - 2h07m"The Blue Room" (dir. Mathieu Amalric) - 1h15m"Charlie’s Country" (dir. Rolf De Heer) - 1h48m"Eleanor Rigby" (dir. Ned Benson) - 1h59m"Fantasia" (dir. Wang Chao) - 1h25m"A Girl At My Door" (dir. July Jung) - 1h59m"Harcheck mi Headro" (dir. Keren Yedaya) - 1h35m"Jauja" (dir. Lisandro Alonso) - 1h41m"Lost River" (dir. Ryan Gosling) - 1h45m"The Misunderstood" (dir. Asia Argento) - 1h43m"Party Girl" (dir. Marie Amachoukeli, Claire Burger and Samuel Theis) - 1h35m"Run" (dir. Philippe Lacote) - 1h40m"Salt Of The Earth" (dir. Wim Wenders & Juliano Ribeiro Salgado) - 1h40m"Snow In Paradise" (dir. Andrew Hulme) - 1h28m"Titli" (dir. Kanu Behl) - 2h04m"Tourist" (dir. Ruben Ostlund) - 2h"Unhappy Youth" (dir. Jaime Rosales) - 1h40m"Xenia" (dir. Panos Koutras) - 2h03mMidnight Screenings: "The Rover" (dir. David Michod) - 1h40m"The Salvation" (dir. Kristian Levring) - 1h30m"The Target" (dir. Chang) - 1h39mSpecial Screenings: "Bridges Of Sarajevo" (anthology film) - 1h50m"Caricaturists: Fantasies Of Democracy" (dir. Stephanie Valloatto) - 1h46m"Eau Argentee" (dir. Mohammed Ossana) - 1h50m"Les Gens Du Monde" (dir. Yves Yeuland) - 25m"Maidan" (dir. Sergei Loznitsa) - 2h"Red Army"  (dir. Polsky Gabe) - 1h25m

frenchcinema:

Official Competition: 

"Captives" (Canada) dir. Atom Egoyan - 1h43m
"Foxcatcher" (U.S.A.) dir. Bennett Miller - 2h10m
"Goodbye To Language" (France) dir. Jean-Luc Godard - 1h10m
"The Homesman" (U.S.A./France) dir. Tommy Lee Jones - 2h02m
"Jimmy’s Hall" (U.K) dir. Ken Loach - 1h46m
"Leviathan" (Russia) dir. Andrey Zvyagintsev - 2h20m
"Maps To The Stars" (Canada) dir. David Cronenberg - 
"The Marvel" (Italy) dir. Alice Rohrwacher -1h50m
"Mommy" (Canada) dir. Xavier Dolan - 2h20m
"Mr. Turner" (U.K) dir. Mike Leigh - 2h29m
"Saint Laurent" (France) dir. Bertrand Bonello — 2h15m
"The Search" (France) dir. Michel Hazanavicius - 2h40m
"Sils Maria" (France) dir. Olivier Assayas - 2h03m
"Still The Water" (Japan) dir. Naomi Kawase - 1h50m
"Timbuktu" dir. Abderrahmane Sissako - 1h40m
"Two Days One Night" (Belgium) dir. Jean-Pierre & Luc Dardenne - 1h35m
"Wild Tales" (Argentina) dir. Damian Szifron - 1h55m
"Winter Sleep" (Turkey) dir. Nuri Bilge Ceylan - 3h16m

Opening Film: 

"Grace Of Monaco" (U.S.A./France) dir. Olivier Dahan - 1h43m

Out Of Competition: 

"Coming Home" (China) dir. Zhang Yimou - 1h51m
"How To Train Your Dragon 2" (U.S.A.) dir. Dean DeBlois - 1h45m

Un Certain Regard: 

"Amour Fou" (dir. Jessica Hausner) - 1h36m
"Bird People" (dir. Pascale Ferran) - 2h07m
"The Blue Room" (dir. Mathieu Amalric) - 1h15m
"Charlie’s Country" (dir. Rolf De Heer) - 1h48m
"Eleanor Rigby" (dir. Ned Benson) - 1h59m
"Fantasia" (dir. Wang Chao) - 1h25m
"A Girl At My Door" (dir. July Jung) - 1h59m
"Harcheck mi Headro" (dir. Keren Yedaya) - 1h35m
"Jauja" (dir. Lisandro Alonso) - 1h41m
"Lost River" (dir. Ryan Gosling) - 1h45m
"The Misunderstood" (dir. Asia Argento) - 1h43m
"Party Girl" (dir. Marie Amachoukeli, Claire Burger and Samuel Theis) - 1h35m
"Run" (dir. Philippe Lacote) - 1h40m
"Salt Of The Earth" (dir. Wim Wenders & Juliano Ribeiro Salgado) - 1h40m
"Snow In Paradise" (dir. Andrew Hulme) - 1h28m
"Titli" (dir. Kanu Behl) - 2h04m
"Tourist" (dir. Ruben Ostlund) - 2h
"Unhappy Youth" (dir. Jaime Rosales) - 1h40m
"Xenia" (dir. Panos Koutras) - 2h03m

Midnight Screenings: 

"The Rover" (dir. David Michod) - 1h40m
"The Salvation" (dir. Kristian Levring) - 1h30m
"The Target" (dir. Chang) - 1h39m

Special Screenings: 

"Bridges Of Sarajevo" (anthology film) - 1h50m
"Caricaturists: Fantasies Of Democracy" (dir. Stephanie Valloatto) - 1h46m
"Eau Argentee" (dir. Mohammed Ossana) - 1h50m
"Les Gens Du Monde" (dir. Yves Yeuland) - 25m
"Maidan" (dir. Sergei Loznitsa) - 2h
"Red Army"  (dir. Polsky Gabe) - 1h25m

sissy-boy-slap-party:

Amour (Michael Haneke, 2012)

sissy-boy-slap-party:

Amour (Michael Haneke, 2012)

(via ihatecreepers)

theofmoviestills:

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | Chantal Akerman | 1975

As for me, I am a watercolor.
I wash off.

— Anne Sexton (via thegirlwiththelittlecurl)

(Source: domesticabusewillsaveusall, via thegirlwiththelittlecurl)

thetehrantimes:

Seyed Hossein Fasih

Sefat - 2009 (Mixed media on Paper - 49.5×65 cm)

Behtar - 2009 (Mixed media on Paper - 39.5×65.5 cm)

Ser - 2009 (Mixed media on Paper - 49.5×65 cm)

Ensaf - 2009 (Mixed media on Paper - 63×50 cm)

thetehrantimes:

Amin Akbari

30Bill (Mustache) Series
- 2012 (Mix Media - 22 x 16 cm)

(Source: knotformation, via thegirlwiththelittlecurl)

Agnès Varda and Susan Sontag interviewed on Camera Three, 1969.

(Source: bluesigloo, via ikaristwin)

I experience alternately two nights; one bad and one good. Most often I am in the very darkness of my desire; I know not what it wants, good itself is an evil to me, everything resounds, I live between blows, my head ringing; I am blinded by attachment to things and emotions. But sometimes too, it is another night; I think quite calmly about the other, as the other is; I suspend any interpretation; I enter into the night of non meaning; desire continues to vibrate (the darkness is transluminous), but there is nothing I want to grasp; this is the Night of non-profit, of subtle, invisible expenditure: I am here, sitting simply and calmly in the dark interior of love.

— Roland Barthes. A Lover’s Discourse (via radicalvulnerability)

(Source: violentwavesofemotion, via aloofshahbanou)

(Source: occupt, via thebelltsar)

sophie1973:

Obviously.

sophie1973:

Obviously.

queerliness:

Le Bonheur, Agnes Varda and depth of field

(via redvelvetteacake)